Aki and Naoko are childhood friends who are drifting apart as adults. Immersed in her family life, Naoko now has a husband and daughter; Aki, on the other hand, remains single and is on leave from work due to a personal crisis. The plot might sound familiar but it has never been told like this. The director Kusano Natsuka stages the interactions through an actors’ table-read and, as the lines are repeated, the scenes gradually develop into on-location conversations. Moreover, she repositions the dramatic peak of the story to the beginning: Aki has murdered Naoko’s daughter.Structurally inventive, Kusano's daring cinema implements ‘distantiation’ effects to get to the heart of friendship issues at times when life has settled. While the repetitions convey the suffocation of role patterns in both friendship and family, a line left out or added in unsettles and reminds us life can take unexpected turns.
近来村中频发诡异事件,不断有小孩莫名失踪,人们议论纷纷,是不是传说中的虎姑婆相隔六十年又现身了。年轻警员咏平(黄楠媚 饰)奉命前来调查,同来的还有记者丽云(傅天颖 饰)及咏平的男友摄影师立仁(林佑威 饰)。咏平发现失踪的小孩都惨遭杀害,而凶手也盯上了前来办案的咏平,乘其不备,咏平遭到突然袭击,而次日自首的是村中一名叫明月(吴君辰 饰)的精神病妇。立仁感觉此案很蹊跷,他着手调查尘封已久的往事。原来,丽云与明月两家有世仇,这一连串的怪事是村中阴阳婆婆(谢月霞 饰)一手设计,明月袭警后仓皇外逃,丽云进山采访又莫名被袭,一系列怪事接踵而至……